Just a few weeks ago, anything was
possible. New York was, for her, a magnificent playland. From the
northern-most borders to the southern tip, and skipping through
the long, green park across town horizontally, lay a lattice framework
of wise, antiquated finds. She believed the city to be a landscape
where the lofty old and the quixotic enterprises of the new converge.
A center for hot pursuits to meet impractical feats. Rare, golden
triumphs that land in the face of adversary, or even impossibility.
Her very first time in the city about six years ago, she failed
to come to grips with the amount of electricity flowing through
just Times Square alone. And later that same evening, she ate spaghetti
out of a white bowl at two in the morning - another first.
Certainly, the heavy presence of a few hundred
years of turmoil and trends and historical booms hang thick in the
air. She sometimes wonders how anything tragically chic, the sleek
lines of a stainless steel and granite bar, could be built over
anything mahogany and Edwardian. Somehow it happens, though. The
superior edge of tomorrow surely sings with some of America's most
humble beginnings. An afternoon spent winding the curvaceous walls
of the Guggenheim and standing inches from Picasso's paint could
actually lend itself to a night plunged either in downtown pints
or unaffordable midtown martinis, the two sects of the day ostensibly
parallel yet surprisingly complimentary. And the funniest part about
such a day in New York is that it can happen without you even knowing
it. New Yorkers may even find it blasé, typical. Despite whether
the morning found you at an obnoxious hour, it is not unusual for
you then to find yourself sitting indifferently at that south-of-Houston
pub twenty-one hours later. You're perfectly awake, too, possibly
even vivacious and feeding off the energy that surrounds you.
The inevitability of apathy towards the extraordinary
or flat-out freakish, for that matter, is realized within the first
couple of weeks. Just as you acquire a knack for rolling with the
punches, you no longer bat a lash at the most outlandish of run-ins.
A week and a half in, the NY amateur was starting to understand
the definition of close quarters. Carrying boxes up the stairs to
her 7x8 room, she remembered an architecture professor’s description
of Rome during the reign of Caesar. Like our New York today, the
powerful Rome only had room to expand vertically. The Roman apartment
being the first of its kind, small rooms were stacked on top of
one another. The result was a brand new system of society, as well
as a cramped standard of living. The poorer you were, the higher
up you lived. The higher up you lived, the cheaper the condition
of your walls. Whole, completed buildings would often plummet to
the ground if built insufficiently, which they were more often than
not. And even as certain buildings did stay put and stood tall,
a modern kind of community had been introduced: the city. As property
margins waned, neighbors grew nearer. Climbing the flights, the
mover-in began to think of this Roman development as an anthropological
revolution. Could people simply get used to being so close, all
the time? (Excuse my…elbow hitting your forehead as I…make
my bed…just …pass over a dish and I can help you dry…oh,
I’m sorry…could you just…pardon me…ow!)
But, it could work, right? Or at least New
Yorkers have made it work, colliding into a few notorious mishaps
along the way and forming a solid reputation for being…let’s
just call it, assertive. Sitting at a coffee shop, she so ingeniously
smiles at a stubborn old lady with a Brooklyn accent regally boss
around the poor, young waitress and demand her coffee the way she
likes it. That’s right, damnit! So, confirming her recent
opinion that New York is partly about being aggressive, making what
you want happen, all while maintaining your dignity, the city apprentice
walks back to her apartment. The sidewalk is broad before her stride.
Tough cookie. Opens the door and into the narrow hallway.
A bare-ass naked man with red, unfocused
circles for eyes slowly meanders right passed her.
Without any forewarning. Sans the time to
brace herself. He’s totally exposed and lost in his own reality.
Bare. Naked. The girl’s hands shaking from what she was not
prepared to see, she makes sure to not make eye contact. That’s
what they all say, isn’t it? Don’t make eye contact.
Never look a dog in the eyes. Never look at a naked, stoned-out-of-his-mind,
possibly crazy New Yorker walking down your apartment hallway and
out on to the public avenue? A group of them laughed about it later,
from now on remembering him as simply “the naked guy”.
Christine from 4c, the forthright neighbor, mentioned that she had
a conversation with him before he made it down the stairs. He had
been struggling with the door down the hall from her door. She asked
him to his face, (f.y.i.: Christine’s lived in New York for
at least ten years now. She’s not afraid to talk to strange,
naked guys. She’s not like our new, New York girl. Christine’s
miles ahead of our girl. She’s on an advanced level as far
as New York goes. Our girl is still at orientation. Just to clarify
things a bit more, this was probably Christine’s like third
or fourth naked guy encounter.) So, she asks him what he’s
trying to do. He somehow forms the words to tell her that he’s
trying to get into his apartment, but that he is having trouble
doing so. Obviously, “trouble” is an understatement.
She asks him where his keys are. He replies, “In my pocket”.
Read Part 3
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